Saturday, February 20, 2021

List of My PowerPoint Lecture Topics


Aegean Archaeology

Cockles, Mussels, Fishing Nets and Finery

Enthroned Upon Mountains

Metascape and Power

Minoan Snake Goddess

Minoan Women’s Costume

Numinous Tree and Stone

Thalassocratic Charms

The Artifice of Daidalos

The Cultic Life of Trees

The Sacred Life of Trees

Traces of Places

Trance-former Performer

Tree Cult in Minoan Glyptic

Understanding the Language of Trees

Within You and Without You: Minoan Epiphany




Egypt – the Basics


Heka Egyptian Magic

Isis of the North / Celtic Egyptians

Nuit Whence the Star Goddess

Thelemic Witchcraft



Death in Ancient Mythology

Decadence and Domesticity

Graeco-Roman Magic

Isis in Rome

Magical Gems and Jewellery

Mediterranean Death

Mediterranean Witchcraft

The Suppression of the Bacchanalia


Near East / Levant

Gannôt or Not

Melbourne Museum Pres

On Every High Hill and Under Every Green Tree


The Bible and Archaeology: Who Were the Israelites?


Neo-Pagan / Historical / Modern Witchcraft

Researching the Past is a Foreign Country

The Devil’s Mischief



Celts: Modern Politics and Controversies

Image: Pierre Le Faguays, Faun and Nymph (1925).



Saturday, February 13, 2021

Caroline Tully - About

I am a Pagan and Witch who is also an archaeologist. I have many areas of interest including ancient Mediterranean religions, the Hermetic Order of the Golden Dawn, Thelema and contemporary Paganisms, particularly Witchcraft and Pagan Reconstructionism. I am an expert on Egyptomania, as well as on tree worship in the Bronze Age Aegean, Levant, Egypt and Cyprus. I also have strong interests in the Environmental Humanities, nature, landscape, animism, ecology, ecofeminism, the Anthropocene, and posthumanism. I have a background in fine art and worked as a professional tapestry weaver at the Australian Tapestry Workshop for fourteen years, and I maintain an interest in both contemporary and archaeological textiles.

I am the author of The Cultic Life of Trees in the Prehistoric Aegean, Levant, Egypt and Cyprus (Peeters 2018), as well as many academic articles available here. I am also passionate about translating academic research on ancient religions for a popular audience. I have curated exhibitions of Egyptian, Greek and Roman antiquities, and I regularly present lectures and workshops on ancient religion and magic.



Tuesday, February 9, 2021

I'm a Capricorn, right? More on the Precession of the Equinoxes


The subject of the precession of the equinoxes and the subsequent non-alignment of the Tropical Zodiac with the Sidereal Zodiac is a topic that I am perpetually interested in. I have written about it previously here. Yes, I would say that Tropical Zodiac astrology is physically inaccurate in regards to the actual constellations. People say "Oh, well it's not about the constellations" its about dividing the sky into 12 portions and aligning them with the seasons (Tropical Zodiac), but it isn't, otherwise it'd be called 'seasonology' rather than ASTROlogy. The Tropical Zodiac is 23 degrees 'out' from the Sidereal Zodiac - the actual positions of the stars. I personnaly cannot understand why western astrologers persist with the tropical Zodiac, except that it is _so ingrained_ in our history that they just can't give it up and keep making excuses for why it is innaccurate. Yes, about 2000+ years ago the Tropical and Sidereal Zodiacs aligned, and they would still if people bothered to pay attention, as it is, the Tropical Zodiac is now only a conceptual system. The equinoctal point moves backwards through the Zodiac at the rate of about 1 degree every 72 years. Now, the positions of planets in Houses and their Aspects, their relation to each other, doesn't change, it is accurate, the thing that is not accurate is the Signs they are in. They are all 'out' by 23 degrees, you need to move their positions backwards 23 degrees. So, for example, my sun is 23 degrees Capricorn according to the Tropical Zodiac, but according to the Sidereal zodiac, it is 1 degree Capricorn. This also makes what people are calling "The Age of Aquarius" utterly inaccurate, we are still within the tail of one of the Pisces fishes, apparently the equinox won't be moving into Aquarius until something like 2600. I get really tired talking about this because people just are so wrapped up in Tropical astrology that they simply don't believe you. I have a Certificate in Natal Astrology and have studied Astrology for years, I'm not simply making this up to be annoying. Plus yes, the signs in the sky are upside down in the southern hemisphere as well as occurring in the opposite signs to that in the northern hemisphere. I believe the meanings of the signs were characterised to an extent by the season in which they occurred and so their characteristics, I believe, are inaccurate in the southern hemisphere. To be accurate, one would first, move the degree back 23 degrees, and then flip the meaning of the sign, so really I'd be 1 degree Cancer instead of 1 degree Capricorn. I think if Tropical astrologers actually looked into this they'd agree with me. And now I await the shouting...

Image by Malte Mueller.

The Lady of the Moon and the Goatfoot God: Witchcraft and the Zodiac

Our Lady of the Moon, enchantment’s queen,
And of midnight the potent sorceress,
O Goddess from the darkest deep of time,
Diana, Isis, Tanith, Artemis,
Your power we invoke to aid us here!
- Doreen Valiente

Hear me, Lord of the Stars,
For thee I have worshipped ever
With stains and sorrows and scars,
With joyful, joyful endeavour.
Hear me, O lily-white goat
Crisp as a thicket of thorns,
With a collar of gold for thy throat,
A scarlet bow for thy horns.
- Aleister Crowley


The Gods of Witchcraft are a pair, a dual deity, a Goddess and Her consort the God. Like the Chinese symbol of Yin and Yang, the Goddess and God of Witchcraft are complementary and inseparable, two sides of the one coin. This holy pair are often symbolised by such natural phenomenon as the Moon and Sun, the Earth and Sky or the human female and a mythical goat-footed male. In many modern Witchcraft traditions, the Goddess is envisaged as ‘ruling’ the Summer months of the year from the Vernal (Spring) Equinox to the Autumnal Equinox while the God rules the Winter part of the year from the Autumnal Equinox to the Vernal Equinox. This assigned rulership gives us an indication of which Zodiac signs are attributed to the God and Goddess. Being a shapeshifter the God/dess can manifest through each of the twelve Zodiac signs, however the two Solstice points of Cancer and Capricorn are their specific celestial thrones. Astrologically speaking then, the Goddess is signified by the sign of Cancer and the God by Capricorn.

Cancer, symbolised by the crab and ruled by the Moon, is the sign in which the Sun enters at the Northern Solstice point (being Summer in the Northern Hemisphere and Winter in the Southern Hemisphere). Solstice literally means "Sun stands still", the Sun reaches its most Northern or Southern declination at the Solstices which occur around the 21st of June and the 21st of December each year. The Tropic of Cancer, a line of latitude on Earth which marks the Northern Solstice point, is found at the latitude of 23.5 degrees North and runs through places such as Calcutta, Cuba, Hong Kong and Taiwan. The Tropic of Capricorn, which marks the Southern Solstice, point is found at the Latitude of 23.5 degrees South and runs through Australia at Alice Springs and Rockhampton.

The Zodiac sign Cancer is the least visible of the constellations and has been called by the ancients the "Power of Darkness." Cancer is the sign of the gentle darkness of the sea, the womb and the night. In the Horoscope, Cancer rules the 4th House which is the domain of family, the mother, home life and the past. In Witchcraft, Cancer and the 4th House signify the nurturing domain of the Coven. Its symbol has most often been a hard-shelled creature: a tortoise, scarab, crab and crayfish. Ancient Astrologers saw Cancer as the gate through which souls came from the sky to incarnate on Earth. The boat or Ark is an alternative symbol for Cancer. In many different cultures, the boat represented the womb that carried the child passenger as well as the vulva through which the baby passes into life, for the vaginal opening has the shape of a boat. Cancer is the Cardinal sign of Water, Cardinal signs being "beginnings" or "first impulse"; another reference to birth-giving with the amniotic fluid signalling the onset of birth. Because of the long connections of this sign with birth and fertility and its rulership by the Moon, Cancer has been associated with the Great Goddess as Mother. The writer and poet Robert Graves describes how one of the myths of Hercules emerged from an age of struggle between patriarchal and Goddess-worshipping cultures. In Hercules’ fight with the Hydra (which Graves sees as representing the Goddess religion) the crab fought on the side of the Goddess, pinching Hercules on the foot. For this service the Goddess placed the crab in the heavens as a constellation.

Cancer’s polar opposite on the wheel of the Zodiac is Capricorn, the Cardinal Earth sign, which is symbolised by a goat and is ruled by Saturn. In the Horoscope, Capricorn rules the 10th House, the area that is concerned with career, ambition, the father and the world outside the home. The constellation of Capricorn was identified by the Babylonians who saw it as a fish-goat who has a goat’s head and front legs and a fish’s tail. This image was associated with their God, Ea, "the Antelope of the subterranean ocean" and myths tell of the hero who appears out of the waters of Ea and brings the arts of civilisation to the shore: agriculture, astronomy, mathematics, reading and writing, architecture and medicine. The goat has long been regarded as holy, in Greek myth Zeus placed the she-goat Amalthea in the heavens as a reward for suckling him as an infant, European legends tell of a love Goddess who appeared to her beloved clad in a net and riding upon a goat. Goats were sacred to the Welsh Goddess Blodeuwedd and the Middle Eastern bearded Goddess Mylitta also appeared naked and riding upon a goat. The Greeks represented Pan, the great God of the wild and untamed places, as having the legs and horns of a goat. In one story he is turned into a fish-goat like the Babylonian Ea. Pan survived in medieval Europe as the goat-footed God of the Witches and the consort of their Goddess. The church fathers turned the figure of Pan into the devil and the cloven hoof, once the sign of the Goddess’s lover was regarded as evil.

Thus the Goddess traditionally rules the Summer from Her throne in the constellation of Cancer, which is the Zodiac sign of the Northern Hemisphere Summer. She is the bearer of the Grail of amniotic waters, who holds the world floating in Her womb. She faces the God across the Zodiac who rules the Northern Hemisphere Winter, enthroned upon the constellation of Capricorn, reposing at the zenith of the Zodiac while the goat leaps upon the summits of the Earth. Astrology evolved in the Northern Hemisphere, as did European Paganism. In Australia the Zodiac signs of Summer and Winter are reversed; the Sun is in Cancer in Winter and Capricorn in Summer but the Zodiacal symbolism is still valid as symbolism, even though the signs are reversed.

Tuesday, January 26, 2021

New publication: Traces of places: sacred sites in miniature on Minoan gold rings.

I’ve got a new publication, first one for 2021: ‘Traces of places: sacred sites in miniature on Minoan gold rings.’ Here's the abstract:

Sacred sites in Minoan Crete are known from both archaeological remains and iconography. Glyptic art is the most extensive body of Aegean Bronze Age representational art and consists of carved seals in the form of engraved metal signet rings, stone seals, and the clay impressions (sealings) that these were used to produce. Gold signet rings from the Cretan Neopalatial period (1750– 1490 BCE) depict various types of sacred sites, including mountain, rural, cave, and urban sanctuaries. How should we understand the built structures depicted in these miniature cult scenes? Do they all depict variations of walls or buildings, or are they altars? This chapter differentiates the built structures depicted in cult scenes on Minoan gold rings, correlates them to archaeological remains at Minoan sacred sites, and proposes an explanation of ephemeral cult structures now only recorded in the iconographic evidence. It will be demonstrated that these miniature art forms represent Minoan sacred sites in three ways: as natural places characterised by the presence of trees and stones and the absence of architecture; as outdoor sanctuaries surrounded by ashlar stone walls; and as shrines and altars, the shapes of which evoke natural cult locations such as mountains and sacred groves through abstract form. It will be argued that representation of Minoan cult structures that evoked the natural landscape within prestigious art forms was a method whereby Neopalatial elites naturalised their authority by depicting themselves in special relationship with the animate landscape.

Tully, C. 2021. ‘Traces of places: sacred sites in miniature on Minoan gold rings.’ In Sacred Sites and Sacred Stories: Transmission of Oral Tradition, Myth, and Religiosity, edited by David Kim, 11–40. London: Palgrave Macmillan.



Saturday, January 2, 2021

More Upcoming Workshops

Magical Gems and Jewelry for Healing, Honoring Deity, and Astrology   

7 March 2020  (Online workshop)

Witches regularly wear occult jewelry: pentagram pendants, amber, jet, moonstone, coral, or even acorn necklaces; magical rings with special stones or symbolic designs; and lots of silver, the metal of the moon. Wearing jewelry is a form of communication: to the wearer, to other people, and to hidden forces attracted by certain colors, substances and patterns.

Join Caroline Tully in a workshop that includes:

Magical gems and jewelry from ancient Egypt, Greece and Rome

Gemstones in relation to Ancient healing modalities and gods

Gemstones and Healing astrology

Learn about the stone amulets, empowering talismans, and protective jewelry of the Ancient World, and the spells used to activate them. Through discussion and practical ritual, contemporary approaches to healing magic will be revealed. Bring a piece of your own jewelry and through ritual we will draw down the stars to consecrate it to a healing deity.

This workshop will be held at WitchCon

Minoan Snake Goddess and Altered States of Consciousness Workshop    April 2021 TBD   (Online workshop)    

According to Goddess-Feminist history, the Great Goddess was the original, and only, deity of humankind from the dawn of time up until around 3000 BCE, when Goddess-oriented cultures were conquered by patriarchal, warlike worshippers of a sky god. Late Bronze Age Minoan Crete (1750–1490 BCE) is considered to be the Goddess culture’s final flowering, believed to exhibit the last gasp of the feminine values associated with Goddess culture before it was wiped out by warlike, patriarchal Mycenaean Greeks. Before this time Minoan Crete was peaceful, worshipped the Great Goddess and her Dying and Rising Consort (who was also her son), and women and nature were respected. Join Dr Caroline Tully in a workshop on ancient Minoan religion, focussing on the Snake Goddess. Find out about the claim that on Crete the snake appears in the worship of the female deity more repeatedly than anywhere else in the Mediterranean. Focus will be on ancient artifacts that depict female figures holding snakes in their hands or with them coiled about their bodies, suggesting that they were an integral part of the religious rituals. There will also be a practical component on methods to achieve altered states of consciousness using techniques you can take away and practise at home.

This workshop will be held at the Magickal Women Ancient Magick Conference

Caroline Tully Bio

Caroline Tully is interested in the practical side of magic and has been a modern Witch since 1985. She has written for many Pagan and occult publications and was a feature writer for Australia’s Witchcraft Magazine for six years. Caroline is also an archaeologist who studies ancient Mediterranean Pagan religions as well as their manifestation in the modern world. She has many areas of interest including ancient religions, the Hermetic Order of the Golden Dawn, Thelema and contemporary Paganisms, particularly Witchcraft and Pagan Reconstructionism. Caroline is an expert on tree worship in the Bronze Age Aegean, Levant, Egypt and Cyprus, and has strong interests in the Environmental Humanities, nature, landscape, animism, ecology, ecofeminism, the Anthropocene, and posthumanism.

Saturday, December 26, 2020

Upcoming Workshops


The Devil’s Mischief    6 Feb 2021

Who is the Devil and what is his association with witchcraft? This workshop will explain the history of the Devil, covering his relationship to ancient Pagan gods, biblical angels, special humans, and his connection to witchcraft today. Join Dr Caroline Tully in this seminar and tutorial in order to learn how to utilise the Devil’s tools of glamour, bedazzlement, wonderment and fascination via techniques of High and Low Magic. Through discussion and practical ritual, ancient and modern approaches to enchantment will be revealed.


Heka: Egyptian Magic   20 Feb 2021

The death of Cleopatra 2,050 years ago marked the end of Pharaonic Egypt; however, the distinctive Egyptian expressions of religion, art and culture were so strong that they still influence us today. Egyptology is closely linked to modern witchcraft and this workshop explains the connection. Tracing Egyptian influence through ancient Rome and the Renaissance, and incorporating mummy unwrapping, Egyptian Style funerary monuments and Art Déco style, the influence of ancient Egypt on our magical forbears will become evident. Complemented by practical ritual, this workshop provides the background and tools you need in order to tap into ancient Egyptian ‘Heka’ or magic.


Who’s Who in Australian Witchcraft: History and Practice  March 2021
Witchcraft in Australia has its own special character as a result of both its history, in regard to the various importations from Britain, Europe and the USA, as well as Australia’s physical position on the planet.
Join Dr Caroline Tully in this workshop in order to discover when the Craft came to Australia, who was involved, and how witchcraft is practised Downunder. This workshop looks at who’s who in Australian witchcraft, from its first appearance to today, explains the different manifestations of the craft, and instruction in contemporary approaches to Australian magic.


The presenter: Caroline Tully is interested in the practical side of magic and has been a modern Witch since 1985. She has written for many Pagan and occult publications and was a feature writer for Australia’s Witchcraft Magazine for six years. Caroline is also an archaeologist who studies ancient Mediterranean Pagan religions and their manifestation in the modern world.   


Workshops will be held at Muses of Mystery