Magical art is a hot
topic right now, especially in the UK and USA. Australia has its own magical
artist, Barry William Hale (b. 1969), a visual and performance artist and an
occultist, who uses historical magical techniques in new and innovative ways to
make original artworks.
Interest
in empowerment through magic has never been more popular, and this explosion
can be attributed to the internet. The BBC reports that “videos with the
hashtag WitchTok have amassed more than 30 billion views”, while the “#witch
hashtag has received nearly 20 billion views, #witchtiktok has nearly two
billion views, and #babywitch, a hashtag for those new to the craft, has more
than 600 million views.” While much online “magic” is about self-care and
spruiking small businesses, magic is actually an ancient intellectual and
somatic practice concerned with accessing supernatural entities and forces for
knowledge, self-development, and power.
Magical art can be traced back to the Symbolists and Decadents of the late 19th century. Joséphin Péladan, founder of the Salons de la Rose+Croix combined Catholicism, Rosicrucianism and occultism. Swedish artist Hilma af Klint was directly inspired by spiritual entities. Well-known modern artists such as Kazimir Malevich and Wassily Kandinsky were inspired by occultism, designers from the Bauhaus school were engaged with occult spirituality, and Surrealists Leonora Carrington and Remedios Varro’s works are suffused with magic and mystical imagery.
Barry William Hale’s work, ‘Demonomania Rhizotoma’ is on display at the State Library Victoria until 31 May 2026 in an exhibition called Creative Acts, curated by Michelle Moo, Angela Bailey, Kate Rhodes, Nandini Sathyamurthy, and me - Caroline Tully.
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