I’m presenting at the Aegean Gestures conference on Saturday November 13th.
This is what my paper will be about:
Against
Nature: Tree-Shaking Action in Minoan Glyptic Art as Agonistic Behaviour
Minoan gold signet
rings are well-known for their depiction of ritual events. Thirty-one ring
images depict ritual scenes in which human figures interact with trees. The majority
of figures approach the trees in a calm and seemingly reverential manner;
however, eight examples depict the ritual participant clasping and vigorously
shaking the tree. These appear on gold rings from Knossos, Archanes, Kalyvia,
and Poros on Crete (LM IB-III); Vapheio and Mycenae on mainland Greece (LH
II-III); as well as an unprovenienced stone seal in New York. The figures all
display a particular body posture: standing with bent knees, sometimes bearing
their weight on one leg at the front, while their back leg is both extended and
supplying thrust, or kicked back and upwards. The pose is suggestive of active
movement and is also seen in glyptic depictions of agonistic scenes such as
warrior combat, boxing, weapon use, men in combat with real and supernatural
animals, bull-leaping, running, men striding with captured women in tow, and
hybrid figures such as Minotaurs, bird-men and -women. These iconographic
parallels suggest that the tree-pulling pose indicates a coercive or even
violent activity. These scenes may depict the attempt to ritually control the
natural world through aggression and domination, and to promote the idea that the
elite owners of the rings were supremely capable of establishing and maintaining
order.
No comments:
Post a Comment