Eventually I worked out how to get the photographer to
make me look good. Basically, ask them about their own work: “What have you
been photographing today? What do you like to photograph? How long have you
worked at the newspaper?” etc. And of course I’d try and explain Witchcraft so
that it didn’t seem too weird. But it’s the image that everyone looks at in the
paper. They don’t care so much about the text, although I would get grilled by
other Pagans when the articles came out: “Why’d you say that? Why didn’t you
say this?” And of course my family and relatives were wincing with discomfort
and embarrassment that I would shame them by being interviewed about such a kooky
topic. So again, there was more reason to feel tense about the resultant
article, but I just had to accept that I couldn’t please everyone.
Monday, June 14, 2021
Taming the Newspaper Photographer
Sunday, June 13, 2021
When newspapers were actually made of paper
Going through my Book of Shadows from the late 80s and
early 90s I came across these newspaper photos of myself from around 1996. Back
in the 1990s being interviewed in the newspaper about Witchcraft and Paganism was
a bit of a big deal, and it was a real gamble as to how the journalist and more
important, the photographer, were going to portray you. If they liked you they
might say nice things about you, but if they didn’t like you they would treat
the topic, and you, in a flippant manner. As a member of The Church of All
Worlds (CAW) back then, part of progressing through the Circles (degrees)
involved being able to talk about Paganism to the media. So you’d say yes to interview
requests and then wait on tenterhooks for the article to come out and hope you’d
come across as OK.
When the article came out there’d be angry phone calls
from relatives about how you’d embarrassed them, and when you arrived at your
workplace people would stare at you with a mixture of reverence and contempt.
Who are you to be getting media coverage, and for something so obviously weird?
I would often deeply regret not having done my best to get the journalist and
photographer on my side, but eventually learned how to do it (see next post).
These days, now that control of your image is in your own
hands, you can make beautiful, professional-looking images with a phone camera,
and get international coverage through social media. We see images constantly
and are pretty blasé about them. It’s de rigueur to portray yourself in the
most glamorous manner possible, for reasons spanning promoting a business or
just your own perceived awesomeness. There is no need to sweet-talk a
journalist or photographer, hoping they won’t make you look like a clown, we
can simply bypass them – and of course media coverage is all really rather
ho-hum, it doesn’t have the power it used to. No one even cares about being on TV
because everyone’s got their own little YouTube show.
Sure, Witches have been getting media coverage since the 1950s, and much of it sensationalist. Now we have to fight the scrum of social media to get any attention that lasts more than one day. Different times.
Tuesday, June 8, 2021
The Goddess Hekate and Her Witches - workshop on 3rd July 2021
Of all the Goddesses of
Witchcraft, Hekate is the best known today. This workshop looks at the origins
and history of Hekate, her spheres of influence, sacred animals, relationships
with other gods, association with mystery religions, connection with the dead, and
her role in regard to famous witch-priestesses from antiquity such as Circe and
Medea. Through the examination of primary evidence including ancient religious
and magical texts, sculpture, visual art, magical gems, curse tablets, and
binding spells, the figure of Hekate will be illuminated. Participants will
also experience a ritual devoted to Hekate in order to establish and strengthen
their own relationship with the goddess.
The Presenter, Caroline Tully
Caroline has a background in
various traditions of witchcraft and magick and is also an archaeologist who
studies ancient Mediterranean Pagan religions and their manifestation in the
modern world. She has written many articles and chapters on these topics and is
the author of the book, The Cultic Life
of Trees in the Prehistoric Aegean, Levant, Egypt and Cyprus (Peeters
2018). Caroline reads Tarot and is a regular workshop facilitator on a range of
magickal subjects at Muses of Mystery, Melbourne’s finest metaphysical
destination.
This workshop will be held at Muses of Mystery on the 3rd July 2021.
Monday, May 10, 2021
Presenting at the Hekate Symposium
I’m presenting Magical Gems and Jewellery, Healing, and
the Stars at the Hekate Symposium on Thursday 20th May (night UK) Friday 21st May (morning Aus).
Then in person on Saturday 22 May at Muses of Mystery (see previous post,
below).
Sunday, April 11, 2021
Magical Gems and Jewellery, Healing, and the Stars Workshop 22nd May 2021
Witches regularly wear occult jewellery: pentagram pendants, amber, jet, moonstone, coral, or even acorn necklaces; magical rings with special stones or symbolic designs; and lots of silver, the metal of the moon. Wearing jewellery is a form of communication: to the wearer to other people, and to hidden forces attracted by certain colours, substances and patterns. Join Dr Caroline Tully in a workshop about magical gems and jewellery from ancient Greece, Rome and Egypt; ancient healing modalities and gods; and healing astrology. Learn about the stone amulets, empowering talismans, and protective jewellery of the Ancient World, and the spells used to activate them. Through discussion and practical ritual, contemporary approaches to healing magic will be revealed. Bring a piece of your own jewellery and through ritual we will draw down the stars to consecrate it to a healing deity. Participants will also take home their own moonstone amulet.
Caroline has a background in various traditions of witchcraft and magick. She has written for many Pagan and occult publications and was a feature writer for Australia’s Witchcraft Magazine for six years. Caroline is also an archaeologist who studies ancient Mediterranean Pagan religions as well as their manifestation in the modern world. She has many areas of interest including ancient religions, the Hermetic Order of the Golden Dawn, Thelema and contemporary Paganisms, particularly Witchcraft and Pagan Reconstructionism.
Held at Muses of Mystery
Thelemic Witchcraft for Beginners Workshop 8th May 2021
Thelema is a Greek word meaning ‘will’ or ‘desire’. Join Dr Caroline Tully in a beginner’s workshop on Thelemic Witchcraft, a form of New Aeon Witchcraft that focuses on methods for causing change in accordance with your will. Through practical ritual and discussion this old-but-new approach to Magick will be illuminated. Caroline has a background in various traditions of Witchcraft and magick. She has written for many Pagan and occult publications and was a feature writer for Australia’s Witchcraft Magazine for six years.
Caroline is also an archaeologist who
studies ancient Mediterranean Pagan religions as well as their manifestation in
the modern world. She has many areas of interest including ancient religions,
the Hermetic Order of the Golden Dawn, Thelema and contemporary Paganisms,
particularly Witchcraft and Pagan Reconstructionism.
Held at Muses of Mystery
Thursday, April 8, 2021
Gorgeous poem about me by Michele Mitrovitch
Bewitching
Caroline, admirer of Holy Dionysus,
But
not a mere Maenad - herself a goddess in the flesh,
Minoan
sister to the winged and protective Isis,
She’s
an epiphany among the sacred rocks and trees, so dewy-fresh.
Her
copper-tinted, dark and wavy lengths of locks
Are
crowned with a wreath bestowed on her by coven sisters
And
like Bulgakov’s Margarita on a vernal equinox,
Abandoning
her clothes, she flies, short-circuiting transistors.
She
flies through inky-black and starry, moonlit skies
And
whispers very ancient, closely guarded incantations,
Her
skin aglow and fragrant with a secret potion’s spice,
She’s
headed to a place of mysteries and pagan celebrations.
Her
Tarot cards are spread and pentagrams are dampened
By
drops of fresh and ruby-colored sacrificial blood,
With
servant entities and spirits of ancestors honored, not abandoned,
Her
power can heal or punish, stir a whirlwind or a flood,
But
that’s by night and in her sacramental, secret lair,
But
in the daylight - she’s a scholar, razor-sharp, creative and quick-witted,
Her
learned colleagues hardly guess the source of her bewitching flair,
Only
some chosen few to take a glimpse into her mysteries are graciously permitted.
This lovely poem was written by my friend, the Aegean archaeologist and all round multi-talented artist, Michele Mitrovitch. See more of her work here.