Inspired by Florence Farr.

One comes to you
And takes strange gain away:
Trophies fished up; some curious suggestion;
Fact that leads nowhere; and a tale or two
Pregnant with mandrakes...

Fembot Close-Ups

The Guts Loom - for weaving enthusiasts.

On Good-Friday that event happened in Caithness that a man whose name was Daurrud went out. He saw folk riding twelve together to a bower, and there they were all lost to his sight. He went to that bower and looked in through a window slit that was in it, and saw that there were women inside, and they had set up a loom. Men's heads were the weights, but men's entrails were the warp and weft, a sword was the shuttle, and the reels were arrows.
They sang these songs, and he learnt them by heart:

THE WOOF OF WAR.

"See! warp is stretched
For warriors' fall,
Lo! weft in loom
'Tis wet with blood;
Now fight foreboding,
'Neath friends' swift fingers,
Our grey woof waxeth
With war's alarms,
Our warp bloodred,
Our weft corseblue.

"This woof is y-woven
With entrails of men,
This warp is hardweighted
With heads of the slain,
Spears blood-besprinkled
For spindles we use,
Our loom ironbound,
And arrows our reels;
With swords for our shuttles
This war-woof we work;
So weave we, weird sisters,
Our warwinning woof.

"Now Warwinner walketh
To weave in her turn,
Now Swordswinger steppeth,
Now Swiftstroke, now Storm;
When they speed the shuttle
How spearheads shall flash!
Shields crash, and helmgnawer (3)
On harness bite hard!

"Wind we, wind swiftly
Our warwinning woof
Woof erst for king youthful
Foredoomed as his own,
Forth now we will ride,
Then through the ranks rushing
Be busy where friends
Blows blithe give and take.

"Wind we, wind swiftly
Our warwinning woof,
After that let us steadfastly
Stand by the brave king;
Then men shall mark mournful
Their shields red with gore,
How Swordstroke and Spearthrust
Stood stout by the prince.

"Wind we, wind swiftly
Our warwinning woof.
When sword-bearing rovers
To banners rush on,
Mind, maidens, we spare not
One life in the fray!
We corse-choosing sisters
Have charge of the slain.

"Now new-coming nations
That island shall rule,
Who on outlying headlands
Abode ere the fight;
I say that King mighty
To death now is done,
Now low before spearpoint
That Earl bows his head.

"Soon over all Ersemen
Sharp sorrow shall fall,
That woe to those warriors
Shall wane nevermore;
Our woof now is woven.
Now battlefield waste,
O'er land and o'er water
War tidings shall leap.

"Now surely 'tis gruesome
To gaze all around.
When bloodred through heaven
Drives cloudrack o'er head;
Air soon shall be deep hued
With dying men's blood
When this our spaedom
Comes speedy to pass.

"So cheerily chant we
Charms for the young king,
Come maidens lift loudly
His warwinning lay;
Let him who now listens
Learn well with his ears
And gladden brave swordsmen
With bursts of war's song.

"Now mount we our horses,
Now bare we our brands,
Now haste we hard, maidens,
Hence far, far, away."

Then they plucked down the Woof and tore it asunder, and each kept what she had hold of.

Now Daurrud goes away from the Slit, and home; but they got on their steeds and rode six to the south, and the other six to the north.

Two fave collage divination decks

Top - Ishtar - from The Secret Dakini Oracle. Botton - The Magician - from Tarot Universal Dali.

I Love Collage Tarot

Ever since I saw Nik Douglas and Penny Slinger's "Secret Dakini Oracle Deck" I've had a penchant for divination cards (and anything else) done in collage. I really love Dada and Surrealist collage. Years ago my friends, The Ladies Benevolent Friendly Society, and I used to sit around making collage Tarot trumps on Friday nights, but these ones pictured here are from a later period, although still quite a few years ago from now. My pal Bill reminded me about Salvador Dali's collage Tarot, and I recalled that I actually own it - thanks for Louise's brother who got it in Spain - so now have dusted it off and am about to look over them again. Then of course there's the very glam "Voyager" Tarot that are also collage, very slick - I don't own them, but used to sort of gaze at them when I worked at Nigel Cooper's Tarot shop in St Kilda, "Mythical Moon". Bloody hell, today has been such a day of remembering stuff...

Fembots

These are my fembots. I made them for an exhibition we had in 2006, or maybe it was 2005... Anyway, I like dolls, I like collage, so these are collage dolls. They are made out of images of meat and machinery, and some other things like jewels, and Barbie dolls.

The Sign of the Witch

My freind, David Waldron, has a new book out. See below:

The Sign of the Witch: Modernity and the Pagan Revival

The witch is a uniquely powerful image in Western society. It is a symbol alternately vilified, ridiculed and idealised by differing sectors of society and is a powerful symbol in Western mythology. This book traces the evolution of the modern representations of Witchcraft and Paganism from the popular imaginings of witchcraft in 16th-century England to their contemporary manifestations amongst neo-Pagan and Wiccan religious movements in America, Australia and Great Britain today. Tracing how this symbol is continually constructed and reconstructed by the neo-Pagan movement is indicative of broader social, political and cultural issues arising out of the interaction of Romantic and Enlightenment epistemes in Western society.

Central to this process is the locating of representations of witchcraft within the twin discourses of romanticism and enlightenment modernity. Beginning with the aftermath of the English witch hunting craze of the 17th century, the book examines how the witch transformed from a symbol of ridicule during the enlightenment to an idealised symbol of romantic rebellion which led to its systemic adoption by romantic religious and political movements. Along the path it examines the development of the neo-Pagan movement from 19th-century Romantic pagan revivals, to Gardner’s Wiccan movement, the sixties counter culture, the rise of eco-feminist neo-Paganism and the contemporary phenomena of “teen witches” and pop commercialization.