CURRICULUM VITAE
CAROLINE
TULLY PhD.
E-mail:
tullyc@unimelb.edu.au
Web: unimelb.academia.edu/CarolineTully
EDUCATION
2017 PhD.
Aegean Bronze Age Art and Archaeology, University of Melbourne.
2007–2009 Postgraduate Diploma, Arts (Classics and
Archaeology), University of Melbourne.
2005–2007 Graduate Diploma, Arts (Classics and
Archaeology), University of Melbourne.
2004 Continuing Education, Arts (Classics and
Archaeology), University of Melbourne.
1993–1995 Bachelor of Arts, Fine Art (Textiles and
Printmaking), Monash University.
AWARDS
and FELLOWSHIPS
2019 The British School at
Athens, Richard Bradford McConnell
Fund for Landscape Studies.
2018 Honorary
Fellow, School of Historical and Philosophical Studies, University of
Melbourne; Nominee for the Chancellor’s Prize for Excellence in the PhD,
University of Melbourne.
2015 The Postgraduate Ancient World Award.
2013 The Jessie
Webb Scholarship.
2012 The Faculty
of Arts, University of Melbourne, Graduate Research in Arts Travel Scheme; The
School of Historical and Philosophical Studies, University of Melbourne, School
Research Allocation Grant; The School of Historical and Philosophical Studies,
University of Melbourne Graduate Grant.
2011 The Alma Hansen
Scholarship; The Norman Macgeorge Scholarship; The Prue Torney Memorial Prize;
The Australian Federation of University Women Victoria: William and Elizabeth
Fisher Scholarship and Bursaries in Memory of Feminist Fathers – Special Award;
The Melbourne Abroad Travelling Scholarship (MATS): Riady Travelling
Scholarship 2011; The Barrett Trust 2011; The School of Historical and Philosophical
Studies, University of Melbourne, School Research Allocation Grant.
2009 Australian Postgraduate Award; The Biblical Archaeology
Society Dig Scholarship, for Tell es-Safi/Gath, Israel.
EMPLOYMENT
2022 Museums Victoria, Provenance Researcher and Consultant; editor Journal of Ancient Near Eastern Studies,
Australian Tapestry Workshop, artisan/weaver
2021 University of
Melbourne, School of Historical and Philosophical Studies, Lecturer / Honours
Seminar Facilitator / Tutor
2020 University of
Melbourne, School of Historical and Philosophical Studies, Teaching Assistant /
Tutor/ Lecturer
2019 University of
Melbourne, School of Historical and Philosophical Studies, Teaching Assistant /
Tutor/ Lecturer; Archaeologist at Dr Vincent Clark and Associates | Archaeology
and Cultural Heritage.
2018 University of Melbourne,
School of Historical and Philosophical Studies, Teaching Assistant / Tutor/
Lecturer; Research Assistant.
2017 University of Melbourne, School of Historical
and Philosophical Studies, Teaching Assistant / Tutor/ Lecturer; Faculty of
Arts, Research Assistant and Antiquities Curator; Institut für Orientalische
und Europäische Archäologie (OREA), Sub-editor.
2016 University of Melbourne, School of Historical
and Philosophical Studies, Teaching Assistant / Tutor; Hamilton Art Gallery,
Curator Mediterranean Antiquities Exhibition; Ian Potter Museum of Art,
Classics and Archaeology Gallery, Guest Lecturer.
2015 La Trobe University, Centre for Mediterranean
Studies, Teaching Assistant / Tutor; University of Melbourne, Teaching
Assistant / Tutor/ Lecturer; University College, Parkville, Teaching Assistant
/ Tutor.
2014 Ian Potter Museum of Art, Classics and
Archaeology Gallery, Presenter/facilitator for the Secondary Schools Program.
2013 Ian Potter Museum of Art, Classics and
Archaeology Gallery, Presenter/facilitator within the Secondary Schools
Program; University of Melbourne, Teaching Assistant / Tutor/ Lecturer.
2010–2012 University of
Melbourne, Teaching Assistant / Tutor/ Lecturer.
1996–2010 Australian Tapestry Workshop, Tapestry
Weaver/Artisan.
1999–2005 Federal Publishing Company, Feature Writer
and Reviewer for Witchcraft Magazine.
TEACHING
EXPERIENCE
2021 Fourth Year/Honours
‘Problems in Greek Prehistory’, University of Melbourne.
2016–2021, 2010–2013 Third Year ‘Interpreting the Ancient World’,
University of Melbourne.
2016–2019
Second Year ‘Ancient Greece: History and Archaeology’, University of
Melbourne.
2017, 2015, 2010 First Year ‘Ancient Egypt and Mesopotamia’,
University of Melbourne.
2015 First Year ‘Ancient Greece: Myth, Art, War’,
La Trobe University; Second Year ‘Classical Mythology’, University College,
Parkville.
2014 Secondary Schools Program, Ian Potter Museum
of Art, Classics and Archaeology Gallery, University of Melbourne.
2013
Second Year ‘Egypt Under the Pharaohs’,
University of Melbourne; Secondary Schools Program, Ian Potter Museum of Art,
Classics and Archaeology Gallery, University of Melbourne.
2012–2013 Second Year ‘Egyptian and Near Eastern Myth’,
University of Melbourne.
CURATORIAL
AND MUSEUM CONSULTATION EXPERIENCE
2022 Museums Victoria, Provenance Researcher and Consultant for the ‘Open
Horizons’ exhibition from the National Museum of Athens
2017 Arts West Gallery, Faculty of Arts,
University of Melbourne, Curator for the ‘Decadence and Domesticity’ section of
The Arts of Engagement exhibition.
2016 Hamilton Art Gallery,
Curator for Mediterranean Antiquities Exhibition.
2015–2016 Ian Potter Museum of
Art, University of Melbourne, Assistant Curator, Mummymania Exhibition.
ARCHAEOLOGICAL
FIELD EXPERIENCE
2019 Archaeologist at
Koonwarra Salvage, Victoria, Australia.
2009–2012 Archaeologist at Tell es-Safi/Gath, Israel.
2011 Archaeologist at Caesarea Maritima, Israel.
BOOKS
Minoan
Transcorporeality. Munich: Theion Publishing
(forthcoming).
The Cultic Life of
Trees in the Prehistoric Aegean, Levant, Egypt and Cyprus.
Aegaeum 42. Peeters: Leuven, 2018.
SELECTED
ARTICLES AND CHAPTERS
‘Lifting the Veil of Isis: Egyptian
Reception and the Hermetic Order of the Golden Dawn.” In Alternative Egyptology: Papers in Honour of Willem van Haarlem,
edited by Ben van den Bercken. Allard Pierson Museum, Amsterdam.
‘Against Nature: Tree-Shaking Action in
Minoan Glyptic Art as Agonistic Behaviour.’ In Gesture – Stance – Movement: Communicating Bodies in the Aegean Bronze
Age, edited by Ute Günkel-Maschek, Céline Murphy, Fritz Blakolmer and Diamantis
Panagiotopoulos. Heidelberg University Publishing (In Press).
‘Agonistic Scenes.’ In The Blackwell Companion to Aegean Art and
Architecture, edited by Louise Hitchcock and Brent Davis. Oxford: Blackwell
(In Press).
‘Introduction to The Pomegranate
special issue on Pagans and Museums.’ Pomegranate:
International Journal of Pagan Studies 23: 1–2. 2022.
‘Understanding
the language of trees: ecstatic experience and interspecies communication in
Late Bronze Age Crete.’ In Ecstatic
Experience in the Ancient World, edited by Sarah Costello, Karen Foster and
Diana Stein. London: Routledge, 2021.
‘Traces of places: sacred sites in miniature on Minoan gold rings.’ In Sacred Sites and Sacred Stories:
Transmission of Oral Tradition, Myth, and Religiosity, edited by David Kim,
11–40. London: Palgrave Macmillan, 2021.
‘Cockles, mussels, fishing nets and finery: the relationship between
cult, textiles and the sea depicted on a Minoan-style gold ring from Pylos.’ Journal of Eastern Mediterranean Archaeology
and Heritage Studies. Special issue the ‘Entangled Sea’ edited by Ina Berg
and Louise Hitchcock. 8: 3-4. 2020. 365–378.
‘Enthroned Upon Mountains: Constructions of Power in the Aegean Bronze
Age.’ Co-authored with S. Crooks. In The
Ancient Throne. The Mediterranean, the Near East, and Beyond, 3rd
millennium BCE 0 14th Century CE. Proceedings of the Workshop held
at ICANNE in Vienna, April 2016, edited by Liat Naeh and Dana Brostowsky
Gilboa, 37–59. Vienna: OREA, 2020.
‘Celtic Egyptians: Isis Priests of the Lineage of Scota.’ In Ancient Egypt in the Modern Imagination,
edited by Eleanor Dobson and Nichola Tonks, 145–160. London: Bloomsbury, 2020.
‘Power Ranges: Identity and Terrain in Minoan Crete.’ Co-authored with
S. Crooks. Journal for the Study of
Religion, Nature, and Culture 13: 2. 2019. 130–156.
‘The Self Possessed: Framing Identity in Late Minoan Glyptic.’
Co-authored with S. Crooks. In ΜΝΗΜΗ /
Mneme: Past and Memory in the Aegean Bronze Age, Aegaeum 43, edited by
Elisabetta Borgna, Ilaria Caloi, Filippo Carinci and Robert Laffineur, 749–752.
Peeters: Leuven, 2019.
‘The artifice of Daidalos: Modern
Minoica as religious focus in contemporary Paganism.’ In New Antiquities: Transformations of Ancient Religion in the New Age and
Beyond, edited by Dylan Burns and Almut-Barbara Renger, 76–102. Sheffield:
Equinox, 2019.
‘Introduction to The Pomegranate special issue on Paganism, Art, and Fashion.’ The Pomegranate: International Journal of
Pagan Studies 21:2. 2019. 141–145.
‘The artifice of Daidalos: Modern
Minoica as religious focus in contemporary Paganism.’ The International Journal for the Study of New Religions 8: 2.
2018. 183–212.
‘Thalassocratic Charms: Trees, Boats,
Women and the Sea in Minoan Glyptic Art.’ Proceedings
of the 12th International Congress of Cretan Studies, 24th September 2016,
Heraklion, Crete. 2018. 1–12.
‘Egyptosophy in the British Museum: Florence Farr, the Egyptian Adept
and the Ka.’ In The Occult Imagination in
Britain, 1875–1947, edited by Christine Ferguson and Andrew Radford,
131–145. London: Routledge, 2018.
‘Virtual Reality: Tree Cult and
Epiphanic Ritual in Aegean Glyptic Iconography.’ Journal of Prehistoric Religion. Robin Hägg memorial issue. Vol.
XXV: 19–30. 2016.
‘Numinous tree and stone: re-animating
the Minoan landscape.’ Co-authored with S. Crooks and L. Hitchcock. In METAPHYSIS: Ritual Myth and Symbolism in the
Aegean Bronze Age. Aegaeum 39. E.
Alram-Stern, F. Blakolmer, S. Deger-Jalkotzy, R. Laffineur and J. Weilhartner
(eds), 157–164. Leuven: Peeters, 2016.
‘Dropping Ecstasy? Minoan Cult and the
Tropes of Shamanism.’ Co-authored with Sam Crooks. Time and Mind: The Journal for Archaeology Consciousness and Culture.
8.2: 129–158. 2015.
‘Museums
of Israel.’ In Encyclopedia of Global
Archaeology. Claire Smith (Ed.) Springer: New York, 2014.
‘The
British Museum’. In Encyclopedia of
Global Archaeology. Claire Smith (Ed.) Springer: New York, 2014.
‘The
Sacred Life of Trees: What trees say about people in the prehistoric Aegean and
Near East.’ In Proceedings of the 33rd
Australian Society for Classical Studies Conference. 2012. Available online
at http://www.ascs.org.au/news/ascs33/index.html
‘Walk
Like an Egyptian: Egypt as Authority in Aleister Crowley’s Reception of The Book of the Law.’ The Pomegranate: International Journal of
Pagan Studies 12:1. 2010. 20–47.
Report
on the excavation at Tell es-Safi/Gath, Israel, 2009. Biblical Archaeology Review 36: 1. (Jan/Feb 2010). Available online
at http://www.bib-arch.org/e-features/scholarship-recipient-report.asp
REFEREES
Professor
Louise Hitchcock Room 674, Level 6, Arts
West, University of Melbourne. Ph: 8344 7033, Email: l.hitchcock@unimelb.edu.au
Associate
Professor Andrew Jamieson Room 673,
Level 6 Arts West, University of Melbourne. Ph: 8344 3403, Email:
asj@unimelb.edu.au
